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	<title>Comments on: Dealing with noise</title>
	<atom:link href="http://www.audival.net/2007/dealing-with-noise/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.audival.net/2007/dealing-with-noise/</link>
	<description>Everything about the noisy part of podcasting.</description>
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		<title>By: Stiff</title>
		<link>http://www.audival.net/2007/dealing-with-noise/comment-page-1/#comment-397</link>
		<dc:creator>Stiff</dc:creator>
		<pubDate>Sat, 29 Dec 2007 20:06:57 +0000</pubDate>
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		<description>Richard, 

You could try (I know some remove hum and similar sounds like that), but depending on the noise it might be too destructive to the overall sound. If you do, have as thin Q as possible.</description>
		<content:encoded><![CDATA[<p>Richard, </p>
<p>You could try (I know some remove hum and similar sounds like that), but depending on the noise it might be too destructive to the overall sound. If you do, have as thin Q as possible.</p>
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		<title>By: Richard</title>
		<link>http://www.audival.net/2007/dealing-with-noise/comment-page-1/#comment-392</link>
		<dc:creator>Richard</dc:creator>
		<pubDate>Fri, 28 Dec 2007 17:45:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.audival.net/2007/dealing-with-noise/#comment-392</guid>
		<description>Depending on what frequency the majority of the background noise resides, could we not just drop that frquency down as much as possible? (Ex. - 12Hz)</description>
		<content:encoded><![CDATA[<p>Depending on what frequency the majority of the background noise resides, could we not just drop that frquency down as much as possible? (Ex. &#8211; 12Hz)</p>
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	<item>
		<title>By: Stiff</title>
		<link>http://www.audival.net/2007/dealing-with-noise/comment-page-1/#comment-338</link>
		<dc:creator>Stiff</dc:creator>
		<pubDate>Fri, 14 Dec 2007 08:03:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.audival.net/2007/dealing-with-noise/#comment-338</guid>
		<description>Yes, I agree. It&#039;s a tough task to clean up a multitrack recording. For individual instruments, vocals or spoken word however you can often get away with it.</description>
		<content:encoded><![CDATA[<p>Yes, I agree. It&#8217;s a tough task to clean up a multitrack recording. For individual instruments, vocals or spoken word however you can often get away with it.</p>
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	<item>
		<title>By: Scotty</title>
		<link>http://www.audival.net/2007/dealing-with-noise/comment-page-1/#comment-337</link>
		<dc:creator>Scotty</dc:creator>
		<pubDate>Thu, 13 Dec 2007 22:05:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.audival.net/2007/dealing-with-noise/#comment-337</guid>
		<description>Howdy,
I have used several filter software components to (supposedly) reduce the noise.  Here&#039;s what I have discovered through the process:  Even the samply you select will likely contain some elements of the good stuff you want to keep.  When you apply a noise filter to a full multitrack recording, you will lose anything that even comes close to any part of the sample you have selected.  Result = bad overall sound.

I have had some good, however limited, results when applying a filter to a single track, like my electric guitar.  I can fairly effectively remove the hiss from the distortion pedal being on, without completely destroying the essence of the guitar tone.

Final comment:  Always strive for the best possible sound going INTO the recording device.</description>
		<content:encoded><![CDATA[<p>Howdy,<br />
I have used several filter software components to (supposedly) reduce the noise.  Here&#8217;s what I have discovered through the process:  Even the samply you select will likely contain some elements of the good stuff you want to keep.  When you apply a noise filter to a full multitrack recording, you will lose anything that even comes close to any part of the sample you have selected.  Result = bad overall sound.</p>
<p>I have had some good, however limited, results when applying a filter to a single track, like my electric guitar.  I can fairly effectively remove the hiss from the distortion pedal being on, without completely destroying the essence of the guitar tone.</p>
<p>Final comment:  Always strive for the best possible sound going INTO the recording device.</p>
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